But even though SecUnits are self-aware and have emotions, they’re not trusted. Murderbot is a security unit, or SecUnit, in a future where corporations dominate space exploration. But it doesn’t have sex organs: They’re not necessary for its job. A layer of skin covers its mechanical and organic parts. Martha Wells’ “Murderbot” doesn’t fit into either trope. Then there’s good AI like Data in “Star Trek: The Next Generation” who gets lost in wonderment at the human ability to whistle. There’s evil AI - think HAL, the computer in “2001: A Space Odyssey,” who stops obeying orders from the humans so it can kill them.
Science fiction often portrays artificial intelligence in one of two ways. "Fugitive Telemetry" by Martha Wells (Courtesy) This article is more than 2 years old.
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